Way back in early September the Association de Grands Crus Classés de Saint-Emilion put on a tasting high up above London at Landing Forty Two in the remarkable Leadenhall Building. The views were impressive. So were many of the wines. Ostensibly it was an opportunity to taste the joyful 2018 vintage, but each producer also offered an additional, older vintage. This was fascinating. For me it also confirmed the superlative quality of the 2016 vintage in St Emilion, but also the quality of some of the rather unsung 2017s. In fact, there were quite a few properties to my mind that performed better in ’17 than they did in ’18 – and that was no mean feat given the challenges of the frost that so badly affected the former vintage. Given that some 45 different chateau were represented at the tasting, I’m dividing my report into two parts. This one contains notes and thoughts on some twenty-four properties [and forty-seven wines], starting with Château Barde-Haut and ending with Château Franc-Mayne [essentially half of them alphabetically].
Posts Tagged ‘Clos de L’Oratoire’
There is no doubt that 2019 is an excellent vintage in St Emilion. There are many fabulous wines displaying beautiful fruit, concentration and supple tannins. Alcohols are high – fifteen degrees is not uncommon – but many wines still retain surprising freshness. With potentially high tannin levels, the foot has been held off the gas in the cellar by many properties, showing a more nuanced approach to winemaking here than perhaps a decade ago. It shows how the heady days of over-extraction appear to be behind us in the appellation. If 2019 doesn’t quite have the exuberance of 2018, or the heavenly balance of 2016, it could be seen as a hypothetical blend of the two, or a combination of 2009 and 2010, but without the late picking and extractive practices that characterized that period.
2019 looks like a strong vintage for the properties of Stephan von Neipperg. His right bank estates, headed by La Mondotte and Château Canon-la-Gaffelière have succeeded well. The vintage here reminds me of the freshness and balance of the wines in 2016. La Mondotte has all its usual plush beauty, but there is great depth to this wine. For me it is up there with the very best St Emilion in 2019. Clos de l’Oratoire has produced another excellent wine. It is laden with sumptuous black fruits but also has joy and life. In fact, all these 2019s show freshness across the board. At the trail-blazing Castillon property, Château d’Aiguilhe, another fine red has been produced. It has excellent depth and minerality, alongside a racy Sauvignon Blanc. Over in Pessac-Léognan, Clos Marsalette has deep, earthy blackcurrant tones and produced a full-bodied, candy and pear drop scented white.
Many delicious wines have been made in St Emilion in 2018. This is a vintage with the most sumptuous, sublime fruit. While the wines do not have the magical balance of 2016 or 2015, with their fresher acidities, on the best terroirs there are a range of wines here that rival 2009 in character for sheer exotic ripeness and joy, but without the evident over-extraction that characterised the appellation a decade ago. Yes, these are wines with plenty of tannin, enviably ripe tannin, and in all but a few cases I would confidently expect the wines to settle by bottling. As in 2009 this will be a vintage that will drink well from the very beginning, but that has the evident structure to last.