For a second year running trips to Bordeaux have been complex. Once again, the châteaux have been sending barrel samples. Of course, there are concerns about the air freighted wines being in top notch condition when they arrive. It’s a compromise. For me, better to taste and exercise your judgement, than not taste anything at all. So there are caveats to reviewing Bordeaux these days, but given this, what does 2020 look like? The heat and drought of the summer, combined with varying quantities of rain at the end of the growing season, have resulted in a generally impressive vintage. Overall it is a good partner to 2018 and 2019, and marks a trio of fine vintages. On the basis of the few hundred wines I’ve tasted it’s the least consistent of the three. In general, it doesn’t have the coquettishness of 2018, nor the excitement and magnificent texture of the 2019s. It does have plenty of substance, the fruit is generally supple, the tannins creamy, and alcohols that are a tad lower than the last couple of years. But 2020 seems a more heterogenous vintage than the two before it, so it is not as straightforward to understand as those seemed. There is a hollowness to some and a lack of aromatics in others. Prices are slowly being released. You’d certainly not want to be paying more than you did for your 2019s. Ideally, given the economic uncertainty, and the volume of fine Bordeaux available in bottle, savvy châteaux should be selling this at a decent discount to make sense of an en primeur purchase.
Posts Tagged ‘Chateau Pavie Macquin’
There is no doubt that 2019 is an excellent vintage in St Emilion. There are many fabulous wines displaying beautiful fruit, concentration and supple tannins. Alcohols are high – fifteen degrees is not uncommon – but many wines still retain surprising freshness. With potentially high tannin levels, the foot has been held off the gas in the cellar by many properties, showing a more nuanced approach to winemaking here than perhaps a decade ago. It shows how the heady days of over-extraction appear to be behind us in the appellation. If 2019 doesn’t quite have the exuberance of 2018, or the heavenly balance of 2016, it could be seen as a hypothetical blend of the two, or a combination of 2009 and 2010, but without the late picking and extractive practices that characterized that period.
Another set of brilliant wines have been made in 2019 at the properties that Nicolas Thienpont manages in St Emilion. Château Larcis Ducasse, Château Pavie Macquin and Château Beauséjour [héritiers Duffau-Lagarrosse] are always flagship estates for me in terms of purity and refinement. Tasting them is never less than a joy. 2019 marks the fifth vintage in a row that these properties are successful. Great wines have been made 2015, 2016, 2017 and 2018 (and 2014 was no embarrassment either). The 2019s are most reminiscent of the 2016s in many respects. Yet whilst they do have something of the fabulous texture of that vintage, they carry their power more noticeably, more in the way that 2010 did. 2019 is evidently a brilliant vintage at all these properties. While they rival 2016, qualitatively there are differences. As David Suire put it, “If the 2016 was a vintage that came down from the sky and the stars, 2019 is a vintage that has come up from the earth.” This evident classic minerality also makes 2019 stand in contrast to the exuberant joys of the 2018s here too.
For a full analysis of the growing season and my first thoughts on 2017 St Emilion during primeurs week in April 2018 you can click through to the full report here. As is well known, the devastating frosts of April 2017 sealed the fate of some producers in St Emilion entirely. They were a few unable to make wine at all. For others it substantially reduced yields and affected their blends. Some were left unscathed. Nature can be cruel and unfair, though not obviously in an intentional way [just leave that to us!]. Given this, you’d expect there to be considerable variation in quality in St Emilion. Ironically, judging from the wines lined up by the Union des Grands Cru de Bordeaux last October, the appellation has produced some of the most appealing Bordeaux in the region with a reasonable degree of consistency. The notes below are limited to those who are members of the UGCB so this is a comparatively small snapshot clearly. In this case, a dozen wines. The stand outs for me were Clos Fourtet, Château Figeac, Château Larcis Ducasse, Château Pavie Macquin and Château Valandraud which have all produced superlative St Emilion. Just a notch below these are Château La Gaffelière, Château Troplong Mondot and Château Trotte Vieille who also impressed with complex and satisfying wine.