My primeurs visit this year [my first since 2019] was limited to a four-day long weekend of tastings on Bordeaux’s right bank in and around St Emilion. I hope to have an in-depth look at the left bank at a later date. Despite the brevity of the trip I looked at hundred plus wines and on the basis of those, 2022 certainly looks to be an exciting vintage for many. It was a hot and dry year, with real heat spikes. Challenging? Yes in some cases but if anything, part of the new normal in Bordeaux in climate and meteorological terms. Stylistically what’s the vintage like in terms of other recent vintages? 2018? 2009? 2003? Any declaration on style is affected by the fact that Bordeaux has evolved considerably over the last decade in winemaking and viticultural terms. In warm years, of which there are now many, picking is less super late, winemaking is generally less extractive and oak handling less obvious. Everyone, it seems, is searching for greater freshness and balance. The comparison most frequently offered by winemakers and proprietors in describing 2022, usually after some procrastination and umpteen caveats, was 2010. Not necessarily in terms of the precise weather conditions. 2010 was a vintage of so-called ‘cool’ maturity, which is not evidently the case in 2022. But there is certainly that level of concentration in the wines, and with much less evident extraction than a decade earlier. I certainly found the tannins in 2022 to be like satin. So, what are the highlights?
Posts Tagged ‘2010’
A tasting of wines from 2019 put on by the UGCB last November reinforced my impression of the fine quality of this vintage. I majored on the left bank, having covered the right bank more comprehensively during primeurs tastings back in 2020. Looking over my notes, the wines have certainly retreated into their shells since bottling. Many were quite backward and reticent, especially in Pauillac and St Julien. During primeurs, I felt like 2019 was a mythical blend of 2010 and 2009. They had the intensity of the former with the fruit and texture of the latter, with overall finer tannin and less extraction than back then. Right now I’m wondering if 2019 isn’t closer to a modern 2005, that is to say pretty serious, structured and long-term but with sweeter tannin texture than ‘05. Still, this is a generalisation and that comparison is not true in all cases by any means. Not all Pauillacs and St Juliens were backward for example and there were some especially lush wines in Margaux and the Haut-Médoc for instance. So it’s a complex picture. If you’ve tucked into 2019 [like me] there is certainly nothing to worry about, except that you might have to wait a little longer for the wines to open up than we first imagined. I’ll obviously follow up with more detailed posts by appellation, but in the meantime what were the overall highlights?
The estate of Clos L’Eglise in Pomerol is run by Hélène Garcin Lévêque, and her family have been the custodians of this estate since they acquired it in 1997, writes John Willis. The property, which dates back to the 18th Century, used to be 14 hectares, double the size it is today. The missing half went to form part of Château L’Eglise Clinet in 1954. The size of Clos L’Eglise is small (even by Pomerol standards) with only 5.9 ha under vine at present. Tasting the vintages from 1997-2016 was a fantastic insight into the overall philosophy of this estate and shows the general improvement of the wines across the period. A genuine sense of place, of terroir, comes across in the wines of this ambitious Pomerol, something to which many properties aspire but sometimes fail to achieve.
Cos has done it again. Following on from a successful 2015 [in what was actually a pretty tricky vintage for St Estèphe], 2016 is perhaps the most successful vintage here since the fabulous 2010. As ever the precision is exceptional. The wine is defined by a wonderful seam of bright, voluptuous fruit. There are many layers to the palate and the tannins are beautifully refined. The balance overall is exceptional. This is potentially epic Cos in a new sense. Pagodes de Cos [some 55% of the estate’s production] also looks very good in 2016, in a vintage that is clearly very successful for St Estèphe. Finesse and harmony are the hallmarks again here.