All three of the top Moulis châteaux have performed well in 2019. Château Chasse Spleen is typically fresh and vibrant, always leaner than its rivals, but the extra richness of the vintage has supplied more middle than usual with nice texture on the palate. This will age well and needs three years or so to get set I reckon. Château Poujeaux has more evident depth and structure and feels well built for the long-haul, if currently rather tannic and grippy on the finish. You have five years at least to wait here. By contrast, unless it has shut down in the past six months, Château Maucaillou appears already attractive now, with plenty of red and black fruits on the palate [raspberry and plum tones]. You can decant this now and enjoy the lush fruit. The wines of Moulis continue to provide excellent value red Bordeaux. They also develop exceptionally well in bottle.

A tasting of wines from 2019 put on by the UGCB last November reinforced my impression of the fine quality of this vintage. I majored on the left bank, having covered the right bank more comprehensively during primeurs tastings back in 2020. Looking over my notes, the wines have certainly retreated into their shells since bottling. Many were quite backward and reticent, especially in Pauillac and St Julien. During primeurs, I felt like 2019 was a mythical blend of 2010 and 2009. They had the intensity of the former with the fruit and texture of the latter, with overall finer tannin and less extraction than back then. Right now I’m wondering if 2019 isn’t closer to a modern 2005, that is to say pretty serious, structured and long-term but with sweeter tannin texture than ‘05. Still, this is a generalisation and that comparison is not true in all cases by any means. Not all Pauillacs and St Juliens were backward for example and there were some especially lush wines in Margaux and the Haut-Médoc for instance. So it’s a complex picture. If you’ve tucked into 2019 [like me] there is certainly nothing to worry about, except that you might have to wait a little longer for the wines to open up than we first imagined. I’ll obviously follow up with more detailed posts by appellation, but in the meantime what were the overall highlights?

In the Haut-Médoc, the 2017 vintage doesn’t quite play as well as perhaps I’d hoped back in 2018 during my primeurs tastings. A lot of sites inland from the Gironde, such as Listrac and Moulis, suffered from the April frosts, and this has obviously affected the choices of blending elements, as well as volumes [as elsewhere in Bordeaux in this vintage]. I’m a great fan of these two appellations as sources of good value, vigorous wines, that have plenty of zap and life. Unfortunately, there is a certain angularity to some of the wines here in 2017. While the best terroirs have made the best wines here – Château Poujeaux is the most convincing – 2017 is not a vintage to particularly seek out here over 2009, 2010, 2014, 2015, 2016 and 2018. All these vintages are fuller and more complete than 2017.

The joyride around Bordeaux 2016 culminated once again with some remarkable wines in the Haut-Médoc. These were led by Château Palmer, which in 2016 has produced a Margaux to rival last year’s beauty. Overall you would have thought that the dry and hot conditions would have been difficult on some of the gravelly and lighter soils in both Margaux and in Pessac-Léognan, the two key appellations in which I dedicated a large part of my final day tasting. While I did notice a little more variability (some jam/raisin qualities in a couple, over-extraction in others] I was generally very impressed with a great number of wines. Once again the aromatics, the fruit tones and seductive qualities of the tannins were remarkable at the top end. I also explored the Haut-Médoc appellation in some detail. There are a great many wines of interest here in 2016 for the consumer. The vintage appears to rival 2009 and 2010. Stylistically it is almost a hypothetical blend of those two vintages [perhaps with some 2014 thrown in], but with generally more moderate alcohol levels. Time will tell as to 2016s precise place in the pantheon, but it’s obviously a very exciting vintage. Still, dark Brexit clouds mean that this vintage will obviously be released into an uncertain and possibly very different future.