The Nicolas Thienpont range looks excellent in 2020. The jewels in the line up here are Château Pavie Macquin and Château Larcis Ducasse, two super impressive St Emilion Premier Grand Cru Classé. Stylistically these are always chalk and cheese. The former is usually super powerful and bold, the latter is as pure and beautiful as St Emilion gets. The emphasis of Nicolas Thienpont and his son Cyrille, along with winemaking colleague David Suire, is always on the purity of expression of the terroir and not on turbocharged hijinks in the cellar. It is a shame that this team are no longer involved with making Château Beauséjour [HDL], but that’s another story. In the Côtes de Francs, the well-known Château Puygueraud looks very good and their Castillon, Château Alcée, is knockout [as are a number of wines in this appellation in 2020].

For a second year running trips to Bordeaux have been complex. Once again, the châteaux have been sending barrel samples. Of course, there are concerns about the air freighted wines being in top notch condition when they arrive. It’s a compromise. For me, better to taste and exercise your judgement, than not taste anything at all. So there are caveats to reviewing Bordeaux these days, but given this, what does 2020 look like? The heat and drought of the summer, combined with varying quantities of rain at the end of the growing season, have resulted in a generally impressive vintage. Overall it is a good partner to 2018 and 2019, and marks a trio of fine vintages. On the basis of the few hundred wines I’ve tasted it’s the least consistent of the three. In general, it doesn’t have the coquettishness of 2018, nor the excitement and magnificent texture of the 2019s. It does have plenty of substance, the fruit is generally supple, the tannins creamy, and alcohols that are a tad lower than the last couple of years. But 2020 seems a more heterogenous vintage than the two before it, so it is not as straightforward to understand as those seemed. There is a hollowness to some and a lack of aromatics in others. Prices are slowly being released. You’d certainly not want to be paying more than you did for your 2019s. Ideally, given the economic uncertainty, and the volume of fine Bordeaux available in bottle, savvy châteaux should be selling this at a decent discount to make sense of an en primeur purchase.

The 2017 vintage was a difficult one for Stephan von Neipperg and his team. In the frost of April 27-28 they lost much of the crop at Clos Marsalette in Pessac-Léognan, half of the crop in both his Castillon estate Château d’Aiguihle and St Emilion property Clos de l’Oratoire. At Château Canon-la-Gaffelière frost reduced the harvest by 40%. Only the prized La Mondotte vineyard was spared. That’s the bad news. The good news is that team Neipperg have succeeded in making impressive wines, very much against these odds. This is partly thanks to the quality of the remaining crop, a huge amount of work in the vineyard but also a determination to encourage a useful harvest from second generation grapes. It is also says much about Stephan von Neipperg’s own strength of character. Determined not to be despondent, he encouraged his team in the face of adversity. When the going gets tough, as Billy Ocean famously noted, the tough get going.

Day four on the primeurs trail saw me return to the right bank. There is no doubt that 2015 is at its most consistent and impressive in St Emilion. Arriving at Château Pavie, appropriately enough I thought in a Napa Valley-like fog, it was actually interesting to see how they had opted for comparatively modest extraction here this year. Yes there was substance and extract, but also composure across an exciting range. Pavie itself is genuinely impressive, as is Bellevue-Mondotte [quite ravishing], Pavie-Decesse and Monbousquet [much better than its 2014]. I was also struck by the quality of their Castillon, Clos Lunelles. Château Cheval Blanc was up next. Chalk and cheese of course with Pavie. There is wonderful beauty and elegance here in this 2015 offering from Cheval Blanc, which comes from its unique terrior that borders Pomerol. The wine reminds me of their 1985. Pierre Lurton is very excited by the quality. They are comparing to 2010 and 1998, in terms of the dry, yet cool maturity [more on this later].