My primeurs visit this year [my first since 2019] was limited to a four-day long weekend of tastings on Bordeaux’s right bank in and around St Emilion. I hope to have an in-depth look at the left bank at a later date. Despite the brevity of the trip I looked at hundred plus wines and on the basis of those, 2022 certainly looks to be an exciting vintage for many. It was a hot and dry year, with real heat spikes. Challenging? Yes in some cases but if anything, part of the new normal in Bordeaux in climate and meteorological terms. Stylistically what’s the vintage like in terms of other recent vintages? 2018? 2009? 2003? Any declaration on style is affected by the fact that Bordeaux has evolved considerably over the last decade in winemaking and viticultural terms. In warm years, of which there are now many, picking is less super late, winemaking is generally less extractive and oak handling less obvious. Everyone, it seems, is searching for greater freshness and balance. The comparison most frequently offered by winemakers and proprietors in describing 2022, usually after some procrastination and umpteen caveats, was 2010. Not necessarily in terms of the precise weather conditions. 2010 was a vintage of so-called ‘cool’ maturity, which is not evidently the case in 2022. But there is certainly that level of concentration in the wines, and with much less evident extraction than a decade earlier. I certainly found the tannins in 2022 to be like satin. So, what are the highlights?
Posts Tagged ‘Chateau Feytit Clinet’
This is a very small snapshot of the wines from Pomerol in 2020. They all showed good colour and generally had plenty of fruit. Château Feytit-Clinet was a beauty, displaying sensuality and satin-like fruit qualities. I was also impressed again with Château Mazeyres from Alain Moueix, a leading biodynamic producer who makes wonderfully fresh and clear Pomerol. Château La Commanderie, Château Lécuyer, Château Taillefer and Château Vieux Maillet have also made attractive Pomerol in 2020, showing substance but also elegance. Château La Clémence, Château Le Moulin and Clos Vieux Taillefer have produced solid wine but without the excitement of the rest.
For a second year running trips to Bordeaux have been complex. Once again, the châteaux have been sending barrel samples. Of course, there are concerns about the air freighted wines being in top notch condition when they arrive. It’s a compromise. For me, better to taste and exercise your judgement, than not taste anything at all. So there are caveats to reviewing Bordeaux these days, but given this, what does 2020 look like? The heat and drought of the summer, combined with varying quantities of rain at the end of the growing season, have resulted in a generally impressive vintage. Overall it is a good partner to 2018 and 2019, and marks a trio of fine vintages. On the basis of the few hundred wines I’ve tasted it’s the least consistent of the three. In general, it doesn’t have the coquettishness of 2018, nor the excitement and magnificent texture of the 2019s. It does have plenty of substance, the fruit is generally supple, the tannins creamy, and alcohols that are a tad lower than the last couple of years. But 2020 seems a more heterogenous vintage than the two before it, so it is not as straightforward to understand as those seemed. There is a hollowness to some and a lack of aromatics in others. Prices are slowly being released. You’d certainly not want to be paying more than you did for your 2019s. Ideally, given the economic uncertainty, and the volume of fine Bordeaux available in bottle, savvy châteaux should be selling this at a decent discount to make sense of an en primeur purchase.
This year a shortage of time only allowed me the opportunity to taste eleven wines from Pomerol that were shown at the Grand Cercle event in April, along with a few others with Jean-Luc Thunevin. In May I had the opportunity to taste Château Gazin, which was wonderfully pure and strong. Overall, it’s been difficult to draw firm conclusions on such a small sample, but the wines I’ve tasted from Pomerol certainly show plenty of joyful, ripe fruit and considerable style. The wines were generally low in acidity. Again, as in St Emilion, to me they didn’t have the delightful tension of the 2015 and 2016 vintages, with 2018 seemingly much more akin to 2009 in style. If there is a flaw, it is that the wines lack acidity. That said, many will provide immediately pleasure and this doesn’t feel like a vintage that will need much time in bottle.