For a second year running trips to Bordeaux have been complex. Once again, the châteaux have been sending barrel samples. Of course, there are concerns about the air freighted wines being in top notch condition when they arrive. It’s a compromise. For me, better to taste and exercise your judgement, than not taste anything at all. So there are caveats to reviewing Bordeaux these days, but given this, what does 2020 look like? The heat and drought of the summer, combined with varying quantities of rain at the end of the growing season, have resulted in a generally impressive vintage. Overall it is a good partner to 2018 and 2019, and marks a trio of fine vintages. On the basis of the few hundred wines I’ve tasted it’s the least consistent of the three. In general, it doesn’t have the coquettishness of 2018, nor the excitement and magnificent texture of the 2019s. It does have plenty of substance, the fruit is generally supple, the tannins creamy, and alcohols that are a tad lower than the last couple of years. But 2020 seems a more heterogenous vintage than the two before it, so it is not as straightforward to understand as those seemed. There is a hollowness to some and a lack of aromatics in others. Prices are slowly being released. You’d certainly not want to be paying more than you did for your 2019s. Ideally, given the economic uncertainty, and the volume of fine Bordeaux available in bottle, savvy châteaux should be selling this at a decent discount to make sense of an en primeur purchase.

Fronsac has made stylish, powerful Bordeaux in 2019. The quality of this appellation is always high and the top properties here have made a thrilling set of wines. Château Dalem is super serious. It is full of plum and blackcurrant fruit and is inky and substantial. Château de la Dauphine is more obviously lush and glossy. The fruit tones are beautiful and the tannins silky. Château La Vieille Cure is really impressive as usual. With its characteristic spicy Cabernet influenced aromatics, it displays great purity and freshness, but also concentration and intensity. Behind these qualitatively, but still providing much joy, are Château de la Rivière and Château Villars. Both are pretty bold, jam-packed with fruit and extract, and have evidently succeeded in the vintage.

The wines of Fronsac should be on every Bordeaux lover’s list. There have been some terrific successes here in 2014, 2015 and 2016 and 2018 joins these vintages as an exciting one for the appellations of Fronsac and Canon-Fronsac. I’m always struck by the homogeneity of these appellations, year in, year out. Despite the difficulties of the 2018 vintage – a growing season with an extremely wet first half, followed by the sunny and dry second half – there are a great number of wines in Fronsac that are outstanding. These should also offer good value to the consumer en primeur. If some of the wines lack a little bit of tension in terms of acidity, the tannins are beautifully ripe and the lush fruit present makes many of these irresistible.

Fronsac and Canon-Fronsac look good in 2017. The wines are nicely balanced, with plenty of flesh and harmony. They should age well in the medium term but will be easy to appreciate in their infancy. All in all, this is an interesting vintage for the consumer. Obviously 2015 and 2016 were excellent vintages here, with greater richness and structure, but I was genuinely surprised by the appeal of the wines in 2017. Yes, there has been a reduction in volume due to frost but I didn’t get any sense that quality had been dramatically affected. Quite the opposite. I was especially impressed with Château Dalem, Château de Carles, Château de la Dauphine, Château de la Rivière, Château Moulin Haut Laroque, Château La Vieille Cure and Château Villars. That said, quality seemed pretty homogenous to me and there really weren’t any misfires in the other wines I tasted from Fronsac or Canon-Fronsac earlier this year.