There is no doubt that 2019 is an excellent vintage in St Emilion. There are many fabulous wines displaying beautiful fruit, concentration and supple tannins. Alcohols are high – fifteen degrees is not uncommon – but many wines still retain surprising freshness. With potentially high tannin levels, the foot has been held off the gas in the cellar by many properties, showing a more nuanced approach to winemaking here than perhaps a decade ago. It shows how the heady days of over-extraction appear to be behind us in the appellation. If 2019 doesn’t quite have the exuberance of 2018, or the heavenly balance of 2016, it could be seen as a hypothetical blend of the two, or a combination of 2009 and 2010, but without the late picking and extractive practices that characterized that period.

Hubert de Boüard de Laforest thinks their 2019 might just snip what he describes as their ‘baroque’ 2018 at Château Angélus. Certainly the wines are quite different. There is greater freshness in Angélus 2019, which has real focus on the palate and a suave quality to the tannins. It is fractionally lower in alcohol than 2018 [14.4% as opposed to 14.7%] and overall the impression is of a complete and classy grand vin. Carillon d’Angélus too looks super good. The emphasis is on the Merlot here and there is a terrific seam of black fruit running through the wine. The Number 3 is zappy and fresh with the accent on the fruit. Amongst the other proprietary wines that the de Boüards are behind, Château Bellevue is wonderful. Lashings of creamy black fruit hide a significant structure. In Lalande de Pomerol, Château La Fleur de Boüard is a delight, with plenty of fruit and zap, while sibling Le Plus is fantastically concentrated. Over in Montagne St Emilion I was particularly taken by a fine and savoury Dame de Boüard which impressed. It shows the beauty of the Cabernet, alongside the Merlot, in this vintage.