Finally notes taken on wines tasted at the Bordeaux Grand Cru Classé tasting in London last year. While the majority of these were 2018s that I’d missed during primeurs week, it was also a good opportunity to look at other recent vintages. In Margaux, Château Rauzan Ségla had made a sublime wine in 2018, so too Château Branaire-Ducru and Château Léoville Poyferré in St Julien. In Pauillac, Château Pontet Canet was astonishing, paralleled in different ways by extraordinary wines at Château Montrose in St Estèphe and Château Smith Haut Lafitte in Pessac-Léognan.
Posts Tagged ‘Margaux’
In one sense Thomas Duroux hasn’t much to show from the 2018 vintage. The effects of rot that tore through Château Palmer’s vineyards in early July led to two-thirds of the crop being entirely lost. The biodynamics practiced here left the vineyards even more exposed to the vagaries of a growing season that was biblically wet in its first half. Yet the remainder of the harvest, a meagre 11 hectolitres per hectare, produced an elixir. It is what Thomas describes analytically, but also qualitatively, as Palmer’s “most powerful wine ever.” If the entire growing season was a “a terrifying experience” for Duroux, Palmer has certainly ended up making one of its most remarkable wines ever.
Many of the red wines tasted during my visit to Bordeaux this April had freshness, engaging aromas, juicy fruit flavours, reasonable depth and generally soft tannins. On this basis 2017 is surely a good vintage? Well yes. For the best properties we’re talking of wines with elements of 2014, 2012 and 2008, possibly a combination of all three in certain places. Things are more exciting for the whites [it looks to be a brilliant year] and Sauternes too has excelled again. But these generalisations hide a somewhat heterogeneous vintage.
Saturday morning started in the cellars of Jean-Luc Thunevin. It’s always a tasting that I look forward to. Thunevin is candid about the late April 2017 frost which hit the right bank hard. Some of his properties and those he consults for were unscathed, some were left slightly affected, and others have been decimated. In some the effect is simply on volumes, in others it has also affected quality and style. I’ll write in more detail on St Emilion in a future post but the good news is that qualitatively Château Valandraud is excellent. It has wonderful perfume and layers of fruit. For me it is up there certainly with the 2012 and the 2014. St Emilion Grand Cru Clos Badon is in good shape [but very low production]. Jean-Luc’s Pomerol Le Clos du Beau Père also looks good.