One sunny afternoon twenty-two years ago I pulled into the pebbled drive of Chateau Palmer in a silver VW Golf. I remember the mouth watering excitement of passing famous chateaux on the way up from Bordeaux on the D2 before arriving in the sleepy little hamlet of Issan. I headed off to fine Yves Chardon, then Palmer’s cellar master, having arrived to work the vendange, the harvest due to start in the next few days. It was late September 1988.
Posts Tagged ‘Margaux’
Overall Bordeaux 2006 reds can be summed up as firm, quite strong, structured wines, but for me often a bit joyless. This was certainly my immediate impression having tasted ninety or so wines from the vintage at the Master of Wine Institute’s Annual Claret tasting that took place in the wonderfully oak panelled, if rather gloomy, Vintners Hall last week. The best wines had good structure, acid and enough flesh to make complex wine eventually but the best do need time in bottle. Even mature these will always be firm wines I reckon as in this vintage there is plenty of tannin, albeit it ripe and fine enough. There were also quite a few disappointments and the vintage is not consistent across all the appellations.
You might have imagined that a commune like Margaux, tending to have lighter, famously more gravelly soils, would struggle in a hot year like 2009. It is clear that heat stress on the vines did lead to some difficulties with grape ripening getting blocked, but this so-called ‘hydric stress’ did also act to slow down a harvest that otherwise may have completely runaway in alcohol, conditions that would have led to a corresponding evaporation of acidity. Denis Lurton of Chateau Desmirail believes that water stress was key in the vintage, ‘It kept the ripeness in check in the warm weather. The conditions gave us so much control to make different choices and it’s all about the choices. That helped us make a lovely wine. ’
In 2009 can Chateau Margaux achieve the impossible and be rewarded with a score greater than 100 – or greater than 20 for those a bit snobby about the percentage scoring system? Why not? If you are prepared to award the perfect score, then once perfection is achieved are there not degrees of improvement to be had? Why stop at 100? If not how exactly is further excellence defined and quantified? So does Chateau Margaux 2009 merit a score of say, 105 points out of a hundred, instead of simply one hundred?