There are some excellent wines in St Emilion this year. While the 2017 vintage will always be remembered for the severe April frost, unlike 1991, that other frost affected year, there are a great many impressive wines in the appellation [and the same could never be said for ‘91]. Still the frost has created inconsistency, affecting the blends of some, reducing the volumes for many, and wiping out vineyards for others. Interestingly critic Antonio Gallioni has called 2017 a right bank year. Certainly many of the top wines here are really good, friendlier perhaps that the correct reds on the left bank, even though the left bankers technically profited more from the growing season. Yet as Cyrille Thienpont at Pavie Macquin pondered, ‘It is not really a case of left bank versus right this year, or Merlot versus Cabernet, more a question of which terroirs performed best.”
Posts Tagged ‘Croix Canon’
There is excitement about the quality of the 2017 vintage at Château Canon. They reckon the vintage is a combination of the 2015 and the 2016 and a notch up from 2014. They argue this is partly the good fortune of Canon’s great terroir atop the St Emilion plateau next to the town itself. The estate was not affected by the frost and in a precocious harvest on a precocious terroir, much of the Merlot on the St Emilion plateau was picked before the September rain. Certainly there is a perfumed and mineral note to Canon this year with the emphasis on the purity of the fruit and elegance. The recently acquired Château Berliquet also shows floral tones and refinement in the first vintage here under Nicolas Audebert.
Let’s not beat about the bush. St Emilion has had a glorious vintage in 2015. I think I’ve scored it even more highly than 2010 in many cases. It’s a different beast of course – in fact more of a beauty. There is a supple quality to the fruit, a seductive aspect. It makes so many of the wines delicious. If they don’t have the prodigious densities achieved in 2010, that’s not a bad thing. Many of these wines are caressing and voluptuous. There’s more apparent freshness too than in 2009. There are far fewer of the jammy over-ripe qualities that affected some wines here that year. I think I’m also detecting a perceptible shift in winemaking emphasis on the right bank too. This new paradigm hasn’t quite arrived everywhere, but I think we are starting to witness the positive results of changes in the approach and sophistication of vineyard management [and an increasing movement to organic methods], harvesting at better combined ripeness [not over-ripeness] and greater sensitivity in the cellar in terms of extraction. For me there is no doubt that these 2015 St Emilions are the most attractively styled primeur wines I’ve yet had from this varied and fascinating appellation.
Château Canon [and Château Rauzan-Ségla] appear to have found a great follow up act to John Kolasa in new general manager Nicolas Audebert. His arrival at both properties for the 2015 vintage has certainly been well timed. He’s managed to arrive in an excellent vintage, to work some of the finest terroir in the world, in a vintage that has specifically favoured both St Emilion and Margaux. Lucky man. The Gods are certainly smiling on him and the properties [and clearly the Wertheimers too, who own them and fashion house Chanel]. Château Canon 2015 is a beauty. It is a wine with finesse and power but also with the most gorgeous, bright fruit tones, tones that define this vintage. Croix Canon, which comes from an 11ha parcel all of its own, is harmonious and extremely pretty at 2015.