It must be great to have a business card with Clos Fourtet on one side and Château Poujeaux on the other. Matthieu Cuvelier has. He and his father Philippe clearly have an eye for smart purchases. The family bagged Clos Fourtet in 2001 and Poujeaux in 2008. Neither were exactly in the doldrums at the time but both properties have perhaps since produced some of their finest wines under their new ownership. A visit during primeurs week in early April to taste the 2013 vintage also provided the opportunity to taste the Cuvelier’s most recent acquisitions, Château Côte de Baleau and Château de Grandes Murailles, as well as Clos St Martin, all St Emilion Grand Crus Classé.

There can be no doubt that outside Pomerol, St Emilion has put in the strongest performance in 2012. There is great beauty to the best wines. The vintage was not without its own problems of course as detailed in earlier posts – various heavy bouts of rain in October; the difficult start to the growing season which lead to uneven and protracted flowering; the risks of mildew in early July and botrytis in October. The most attentive and diligent have triumphed and the quality of the best Merlot is stunning.

At the primeurs tastings in Bordeaux in April 2011 I had thought that St Emilion in 2010 had bettered the wines made here than in 2009. That vintage, for me which had looked in many cases a bit over-blown and tannic early on, rounded out during elévage nicely. Now tasting through the 2010 wines at the same stage after this vintage has finished its time in barrel, it doesn’t feel quite as knockout as I had imagined. That’s not to say there aren’t many excellent wines from this appellation in 2010, but I was disappointed by some which misfired and, as ever, a number of wines that feel reduced, late picked and over-extracted – not a problem if you like leaden, plodding wine, but surely one if you like a bit of vitality and freshness.

I think St Emilion has made a good fist of 2008. There’s plenty to enjoy in a lot of the wines if you can get past the winemaking in some cases – unless you’ve a fondness for treacle and liquorice. The best here are full and generally have plenty of fruit and no shortage of ripe tannin. There are quite a few who seem to like to make their wines super-ripe and super-reduced – wines of staggering concentration without regard for drink-ability – though the modesty of the vintage has largely kept things in check.