Notes here on sixty-nine St Emilion 2025s. Looking back at the tastings the striking thing is the consistency. This is a seriously good vintage in St Emilion. The hot and dry vintage conditions have reigned in the alcohols [more on this paradox below] and the evident freshness and structure in the wines has given so many a vital intensity. It is a fascinating vintage to compare with 2022. It doesn’t have the heavenly quality of that vintage, but that is not to damn 2025 with faint praise. If 2022 is a vintage for the heart, 2025 is very much one for the head. In that sense it is a bit like 2009 versus 2010 – but with right bank winemaking and viticultural approaches now very different from those heady, extractive days. These are classical, moreish wines, which are impeccably balanced in the main. So, 2025 is a very exciting vintage indeed on the right bank. It is also one with a lot of value to be had. This is firstly as a lot of less famous estates have made super wine. Secondly, so far many of the best properties are releasing at sensible prices that might encourage an early purchase. This is good news for those of us who got a bit burnt with the pricing of 2022. So, what are the highlights overall from the tastings?

There are a number of properties in the Vignobles K portfolio, the group established by businessman Peter Kwok. Amongst the châteaux in St Emilion are Château Bellefont-Belcier, which occupies a super position just down the road from Château Pavie and Château Larcis-Ducasse, along with Château Tour St Christophe and Château Haut-Brisson. In Pomerol there are two properties, the tiny one hectare Enclos Tourmaline and the three hectare La Patache, and in neighbouring Lalande de Pomerol, there is Enclos de Viaud. In Castillon, the impressive Château Le Rey produces two styles from different parcels of vines, the unoaked Les Argileuses from the vines on clay and Les Rocheuses from the limestone soils. This is the first time I have tasted this Castillon and I was knocked out by the quality. In fact, across the board, this line up is impressive in 2020. It is undoubtedly led by Château Bellefont-Belcier which is the jewel in the crown, but all the wines displayed plenty of purity and fresh fruit qualities. There is an evident gentleness to the winemaking, and a plushness to the wines in the stable, notwithstanding differences in terroir and approach.

Many delicious wines have been made in St Emilion in 2018. This is a vintage with the most sumptuous, sublime fruit. While the wines do not have the magical balance of 2016 or 2015, with their fresher acidities, on the best terroirs there are a range of wines here that rival 2009 in character for sheer exotic ripeness and joy, but without the evident over-extraction that characterised the appellation a decade ago. Yes, these are wines with plenty of tannin, enviably ripe tannin, and in all but a few cases I would confidently expect the wines to settle by bottling. As in 2009 this will be a vintage that will drink well from the very beginning, but that has the evident structure to last.

There are some excellent wines in St Emilion this year. While the 2017 vintage will always be remembered for the severe April frost, unlike 1991, that other frost affected year, there are a great many impressive wines in the appellation [and the same could never be said for ‘91]. Still the frost has created inconsistency, affecting the blends of some, reducing the volumes for many, and wiping out vineyards for others. Interestingly critic Antonio Gallioni has called 2017 a right bank year. Certainly many of the top wines here are really good, friendlier perhaps that the correct reds on the left bank, even though the left bankers technically profited more from the growing season. Yet as Cyrille Thienpont at Pavie Macquin pondered, ‘It is not really a case of left bank versus right this year, or Merlot versus Cabernet, more a question of which terroirs performed best.”