Again the emphasis in St Emilion 2024 overall is freshness. The best exhibit vivid blue fruit characters and are appetising and moreish. There is heterogeneity though. If some are bracingly fresh and lively, others are solid and a bit unexciting. Others feel a bit green, and some are gentle, forward and probably early developing. Generally, the winemaking in the cellar feels sensitive enough, going with the material rather than against the grain. There are a few that feel a bit out of whack at present, either overly sappy or a bit drying. My experience is that these wines usually come good after élevage. Obviously 2024 doesn’t have the wow factor of the sunny, solar years here, like 2018 or 2022, the latter so seductive during primeurs. Still, it’s a journey, not a sprint and I’d be keen to see all these wines further down the track once they are bottled in twelve to eighteen months time as they will all probably pick up I expect.

I’ve already posted thoughts on a number of leading properties in St Emilion in 2023. In addition to these visits, I also spent a morning tasting blind those St Emilion Grand Cru Classés at the Grand Cercle press event. I’ve included detailed thoughts on these properties in this post in addition to my earlier notes. Combined there are reviews here on just under thirty wines from the appellation in 2023. At the Grand Cercle event I was especially impressed with Château Grand Corbin Despagne, Château La Croizille, Château de Pressac, Clos Debreuil and Château Destieux. These wines had depth and style and fine texture. I also enjoyed Château La Marzelle and the biodynamic Château Fonroque. Overall, these Grand Cru Classés are different stylistically to the wines made at these properties in 2022, reflecting the elegance of the 2023s overall. While they lack the concentration and sheer volume of the ‘22s, they offer delicacy and more evident freshness and are by no means lacking concentration in their own right. It will be fascinating to follow the progress of the ’22 and ’23 vintages in St Emilion down the years.

The St Emilion Grand Cru Classé that were tasted bling at the Grand Cercle press tasting at Château de la Dauphine back in April were sensational. They stood out along with the wines from Fronsac [more on these shortly]. I’ve already published posts individually on a number of top chateaux in St Emilion in 2022.  I’m including these tasting notes again in this post, but I’m majoring on notes and analysis on a further sixteen cru classé and a handful of grand cru tasted with the Grand Cercle. There is usually some degree of variation between properties in any given year. The particular challenges of ’22, in terms of heat spikes and near continuous drought, would also have varied depending on terroir, viticulture and winemaking approaches. That being said, the astonishing thing about the wines tasted at the Grand Cercle was the high consistency. Many of the best wines are weighing in at fourteen to fifteen degrees alcohol [and, yes, it does now seem possible for a wine to achieve balance and weigh in at fifteen degrees] but there is surprising freshness in the wines, delicacy even. And the textures are sublime. So, what were the highlights at the Grand Cercle tasting?

My primeurs visit this year [my first since 2019] was limited to a four-day long weekend of tastings on Bordeaux’s right bank in and around St Emilion. I hope to have an in-depth look at the left bank at a later date. Despite the brevity of the trip I looked at hundred plus wines and on the basis of those, 2022 certainly looks to be an exciting vintage for many. It was a hot and dry year, with real heat spikes. Challenging? Yes in some cases but if anything, part of the new normal in Bordeaux in climate and meteorological terms. Stylistically what’s the vintage like in terms of other recent vintages? 2018? 2009? 2003? Any declaration on style is affected by the fact that Bordeaux has evolved considerably over the last decade in winemaking and viticultural terms. In warm years, of which there are now many, picking is less super late, winemaking is generally less extractive and oak handling less obvious. Everyone, it seems, is searching for greater freshness and balance. The comparison most frequently offered by winemakers and proprietors in describing 2022, usually after some procrastination and umpteen caveats, was 2010. Not necessarily in terms of the precise weather conditions. 2010 was a vintage of so-called ‘cool’ maturity, which is not evidently the case in 2022. But there is certainly that level of concentration in the wines, and with much less evident extraction than a decade earlier. I certainly found the tannins in 2022 to be like satin. So, what are the highlights?