Way back in early September the Association de Grands Crus Classés de Saint-Emilion put on a tasting high up above London at Landing Forty Two in the remarkable Leadenhall Building. The views were impressive. So were many of the wines. Ostensibly it was an opportunity to taste the joyful 2018 vintage, but each producer also offered an additional, older vintage. This was fascinating. For me it also confirmed the superlative quality of the 2016 vintage in St Emilion, but also the quality of some of the rather unsung 2017s. In fact, there were quite a few properties to my mind that performed better in ’17 than they did in ’18 – and that was no mean feat given the challenges of the frost that so badly affected the former vintage. Given that some 45 different chateau were represented at the tasting, I’m dividing my report into two parts. This one contains notes and thoughts on some twenty-four properties [and forty-seven wines], starting with Château Barde-Haut and ending with Château Franc-Mayne [essentially half of them alphabetically].
Posts Tagged ‘Chateau Côte de Baleau’
There is no doubt that 2019 is an excellent vintage in St Emilion. There are many fabulous wines displaying beautiful fruit, concentration and supple tannins. Alcohols are high – fifteen degrees is not uncommon – but many wines still retain surprising freshness. With potentially high tannin levels, the foot has been held off the gas in the cellar by many properties, showing a more nuanced approach to winemaking here than perhaps a decade ago. It shows how the heady days of over-extraction appear to be behind us in the appellation. If 2019 doesn’t quite have the exuberance of 2018, or the heavenly balance of 2016, it could be seen as a hypothetical blend of the two, or a combination of 2009 and 2010, but without the late picking and extractive practices that characterized that period.
Overall 2014 is an impressive vintage judging from what was in the glass in many of the St Emilion’s tasted during primeurs week last month. There is perhaps more weight and structure than 2012 [itself a very good vintage in St Emilion] and, overall, 2014 is probably the best since 2009 and 2010. It also has greater apparent acidity than in those two years. What’s exciting is the combination of the freshness, the aromatics and the depth in the best wines. There are also excellent wines at all levels, not just at the top echelons. That means there is value to be had in 2014, where the price is right. Overall it is undoubtedly an excellent year for Cabernet Franc here. The variety loved the Indian summer. Merlot is also impressive on the best terroirs. It’s a generalization, but the wines seemed less over-extracted than usual, with greater emphasis on proportionality and harmony. This may be the vintage speaking, but let’s hope it reflects more balanced, adaptive winemaking approaches. And even where properties have gone hell for leather, generally the ball stays in the air. The notes on the following 107 wines represents my most comprehensive primeurs tastings yet of the wines of St Emilion.
Matthieu Cuvelier is very happy with the quality of his Clos Fourtet 2014, made in something of a roller-coaster vintage with a wet and grey July and August saved by the record breaking Indian summer which lasted until mid-October. This combination of a cool summer with a hot and dry autumn has produced a deliciously pure Clos Fourtet, with pronounced aromatics, supple tannins and attractive freshness. Château Côte de Baleau and Château Les Grands Murailles, also made by the Cuveliers, are both attractive and ripe St Emilions.