A relatively small spread of 2018s were on show at the MW Institute back in late ’22. There is evidence that some of the wines shown were shutting down a little. This was certainly true of Château Angélus, Château Cheval Blanc and Château Fonplégade on the basis of the tasting. Château Troplong Mondot ’18 lies somewhere between its almost over-the-top past and a more elegant future. Under the tenure of Aymeric de Gironde since 2017 it now most definitely driven by the emphasis on finesse and poise, but this ’18 feels a little closer to the former than the latter. Château Figeac is clearly on a roll. The wines in recent vintages here have been breath-taking, but so too is the asking price these days. Domaine Dillon’s Château Quintus has yet to really grab me to be honest. On the showing at this tasting the wine was of almost Zinfandel-like portiness. The 15.5% alcohol is very noticeable.

Way back in early September the Association de Grands Crus Classés de Saint-Emilion put on a tasting high up above London at Landing Forty Two in the remarkable Leadenhall Building. The views were impressive. So were many of the wines. Ostensibly it was an opportunity to taste the joyful 2018 vintage, but each producer also offered an additional, older vintage. This was fascinating. For me it also confirmed the superlative quality of the 2016 vintage in St Emilion, but also the quality of some of the rather unsung 2017s. In fact, there were quite a few properties to my mind that performed better in ’17 than they did in ’18 – and that was no mean feat given the challenges of the frost that so badly affected the former vintage. Given that some 45 different chateau were represented at the tasting, I’m dividing my report into two parts. This one contains notes and thoughts on some twenty-four properties [and forty-seven wines], starting with Château Barde-Haut and ending with Château Franc-Mayne [essentially half of them alphabetically].

Let’s not beat about the bush. St Emilion has had a glorious vintage in 2015. I think I’ve scored it even more highly than 2010 in many cases. It’s a different beast of course – in fact more of a beauty. There is a supple quality to the fruit, a seductive aspect. It makes so many of the wines delicious. If they don’t have the prodigious densities achieved in 2010, that’s not a bad thing. Many of these wines are caressing and voluptuous. There’s more apparent freshness too than in 2009. There are far fewer of the jammy over-ripe qualities that affected some wines here that year. I think I’m also detecting a perceptible shift in winemaking emphasis on the right bank too. This new paradigm hasn’t quite arrived everywhere, but I think we are starting to witness the positive results of changes in the approach and sophistication of vineyard management [and an increasing movement to organic methods], harvesting at better combined ripeness [not over-ripeness] and greater sensitivity in the cellar in terms of extraction. For me there is no doubt that these 2015 St Emilions are the most attractively styled primeur wines I’ve yet had from this varied and fascinating appellation.