Château Canon [and Château Rauzan-Ségla] appear to have found a great follow up act to John Kolasa in new general manager Nicolas Audebert. His arrival at both properties for the 2015 vintage has certainly been well timed. He’s managed to arrive in an excellent vintage, to work some of the finest terroir in the world, in a vintage that has specifically favoured both St Emilion and Margaux. Lucky man. The Gods are certainly smiling on him and the properties [and clearly the Wertheimers too, who own them and fashion house Chanel]. Château Canon 2015 is a beauty. It is a wine with finesse and power but also with the most gorgeous, bright fruit tones, tones that define this vintage. Croix Canon, which comes from an 11ha parcel all of its own, is harmonious and extremely pretty at 2015.

So what are the principal characteristics of the Bordeaux 2015 vintage? Firstly there is a real beauty to the fruit tones in the red wines this year. Time after time, especially on the Right Bank but also on the Left I kept writing ‘beautiful,’ ‘pretty,’ and ‘delicious.’ There is freshness, despite pretty high alcohols in the main. The vintage is almost a hypothetical blend of 2009 and 2010, but with less evident structure and weight than those vintages. For me it recalls 1985 in terms of that vintage’s early beauty and freshness – and ‘85 remains in great shape today. But the 2015 vintage is by no means homogeneous. In fact there is considerable variability. What is in no doubt is that ‘15 is terrific in St Emilion. There is concentration and delight in so many wines there this year. It has also been strong vintage in the surrounding Côtes de Bordeaux appellation, especially Castillon and Francs.

Day four on the primeurs trail saw me return to the right bank. There is no doubt that 2015 is at its most consistent and impressive in St Emilion. Arriving at Château Pavie, appropriately enough I thought in a Napa Valley-like fog, it was actually interesting to see how they had opted for comparatively modest extraction here this year. Yes there was substance and extract, but also composure across an exciting range. Pavie itself is genuinely impressive, as is Bellevue-Mondotte [quite ravishing], Pavie-Decesse and Monbousquet [much better than its 2014]. I was also struck by the quality of their Castillon, Clos Lunelles. Château Cheval Blanc was up next. Chalk and cheese of course with Pavie. There is wonderful beauty and elegance here in this 2015 offering from Cheval Blanc, which comes from its unique terrior that borders Pomerol. The wine reminds me of their 1985. Pierre Lurton is very excited by the quality. They are comparing to 2010 and 1998, in terms of the dry, yet cool maturity [more on this later].

Overall 2014 is an impressive vintage judging from what was in the glass in many of the St Emilion’s tasted during primeurs week last month. There is perhaps more weight and structure than 2012 [itself a very good vintage in St Emilion] and, overall, 2014 is probably the best since 2009 and 2010. It also has greater apparent acidity than in those two years. What’s exciting is the combination of the freshness, the aromatics and the depth in the best wines. There are also excellent wines at all levels, not just at the top echelons. That means there is value to be had in 2014, where the price is right. Overall it is undoubtedly an excellent year for Cabernet Franc here. The variety loved the Indian summer. Merlot is also impressive on the best terroirs. It’s a generalization, but the wines seemed less over-extracted than usual, with greater emphasis on proportionality and harmony. This may be the vintage speaking, but let’s hope it reflects more balanced, adaptive winemaking approaches. And even where properties have gone hell for leather, generally the ball stays in the air. The notes on the following 107 wines represents my most comprehensive primeurs tastings yet of the wines of St Emilion.