There is no doubt that the de Boüards really know what they are doing across their portfolio of family owned properties on Bordeaux’s Right Bank. Château Angélus, managed by Stéphanie de Boüard-Rivoal backed up with the winemaking savoir-faire of father Hubert de Boüard de Laforest, has never made better wine. This last decade has been an extraordinary one for the property. Fabulous wines have been made here in 2015, 2016, 2018 and 2019. Their 2020 looks to set be impressive too. It has freshness, power and remarkable balance. Stephanie compares it to a blend of the 2018 and 2019 vintages. Elsewhere in St Emilion, the de Boüard’s Grand Cru Classé, Château Bellevue, which makes super plush wine every vintage it seems, has succeeded yet again. Château Daugay also impresses this year. The de Boüards are also making remarkable wines in Lalande de Pomerol at Château La Fleur de Boüard, including the exceptional Le Plus Fleur de Boüard. I’ve been writing about this property for almost a decade and 2020 looks like another promising vintage here. Over in Montagne St Emilion, Coralie de Boüard continues to make exciting wine at Château Clos de Boüard. Again, this looks like a wine to consider in 2020. It was impressive in 2019 too.
Posts Tagged ‘Bordeaux’
There are a number of properties in the Vignobles K portfolio, the group established by businessman Peter Kwok. Amongst the châteaux in St Emilion are Château Bellefont-Belcier, which occupies a super position just down the road from Château Pavie and Château Larcis-Ducasse, along with Château Tour St Christophe and Château Haut-Brisson. In Pomerol there are two properties, the tiny one hectare Enclos Tourmaline and the three hectare La Patache, and in neighbouring Lalande de Pomerol, there is Enclos de Viaud. In Castillon, the impressive Château Le Rey produces two styles from different parcels of vines, the unoaked Les Argileuses from the vines on clay and Les Rocheuses from the limestone soils. This is the first time I have tasted this Castillon and I was knocked out by the quality. In fact, across the board, this line up is impressive in 2020. It is undoubtedly led by Château Bellefont-Belcier which is the jewel in the crown, but all the wines displayed plenty of purity and fresh fruit qualities. There is an evident gentleness to the winemaking, and a plushness to the wines in the stable, notwithstanding differences in terroir and approach.
François Mitjavile has been making some of the most remarkable St Emilion across the past three decades from his tiny 5.7 hectare vineyard at Château Tertre Rôteboeuf. He has also blazed a trail in the Côtes de Bourg with Roc de Cambes. The 2020 vintage was the earliest that François had encountered at Tertre Rôteboeuf, starting 21st September, and then approximately ten days later at Roc de Cambes. The wines have a wonderful texture and freshness and are both super impressive. I’m also including here notes on L’Aurage, the Castillon property run by Louis and Caroline Mitjavile. This is a huge success in this vintage too, alongside many wines I’ve tasted from Castillon in 2020. L’Aurage is a wonderfully layered and seductive wine.
The debate between the relative merits of Bordeaux 2009 and 2010 continue. Although it didn’t quite generate a twitter spat, Jamie Goode’s recent suggestion on the platform that people sell their 2009s before the vintage is rumbled, did provoke a number of other tweeters to stick the boot into the vintage. ‘Mushy’, over-rated, lacking focus and fast maturing were just some of the less positive comments. Many, it seems, are now devotees of 2010 and wouldn’t go near 2009 with a barge pole. Personally, this seems a bit of an overcorrection. Of course, 2009 was always controversial, both for the easy pleasures it offered during primeurs and in bottle, but also for Robert Parker’s huge early praise as the best young Bordeaux vintage he had ever tasted. The subsequent hefty price hikes by the châteaux themselves, who cashed in during one of the longest primeurs campaigns, also alienated the market, especially after those who invested never saw much of an appreciation on their assets. It is worth noting that prices haven’t shifted up much in a decade and Lafite remains almost half its release price. So, as the wines enter their twelfth year, what should we really make of Bordeaux 2009 now?