Overall 2014 is an impressive vintage judging from what was in the glass in many of the St Emilion’s tasted during primeurs week last month. There is perhaps more weight and structure than 2012 [itself a very good vintage in St Emilion] and, overall, 2014 is probably the best since 2009 and 2010. It also has greater apparent acidity than in those two years. What’s exciting is the combination of the freshness, the aromatics and the depth in the best wines. There are also excellent wines at all levels, not just at the top echelons. That means there is value to be had in 2014, where the price is right. Overall it is undoubtedly an excellent year for Cabernet Franc here. The variety loved the Indian summer. Merlot is also impressive on the best terroirs. It’s a generalization, but the wines seemed less over-extracted than usual, with greater emphasis on proportionality and harmony. This may be the vintage speaking, but let’s hope it reflects more balanced, adaptive winemaking approaches. And even where properties have gone hell for leather, generally the ball stays in the air. The notes on the following 107 wines represents my most comprehensive primeurs tastings yet of the wines of St Emilion.

Overall St Emilion is something of a mixed bag in 2013. Quality is better than you might expect given the dreadful vintage, conditions that were especially tricky for Merlot, the district’s principal grape. It was badly affected by poor weather at flowering, which reduced yields and led to poor fruit set; later the humid conditions at vintage and the threat and rapid onset of rot [botrytis] also adversely affected the variety. Still St Emilion has made a number of attractive and well-made wines. But there are plenty of disappointments too. Some are thin and over-worked; others hollow. Quality follows terroir and those with cash. The best wines have forward and attractive fruit flavours and some are competitively priced. While it’s a complex picture, overall the wines of St Emilion are probably a more immediately appealing and joyous bunch than their left-bank counterparts in 2013.

There’s a buzz of excitement when you enter the cellars of Jean-Luc Thunevin, tucked hidden in St Emilion’s narrow cobbled streets. It’s the anticipation of the guilty pleasures that lie ahead. You can certainly taste the effort has gone into Château Valandraud in 2013. The deep colour, the flattering and seductive aromatics, the volume of material and extract, are all hallmarks of the tiny yields, ultra strict selection and artisanal, micro production. It makes Valandraud an almost muscular effort, seemingly from a different vintage entirely when set against many wines this year. That will offend the purists but Thunevin won’t care. He’s made his reputation rocking-the-boat and working against the grain.

It was Friday. No ordinary Friday but the last day of a grueling three-week primeurs period. At close to seven o’clock, I was over two hours late for a rendezvous with one of Bordeaux’s more controversial figures. It seemed highly unlikely that he would still be around to greet me. What an embarrassment. Every owner-winemaker in Bordeaux by now would surely have shut up shop, poured the champagne and put up their feet. Not Jean-Luc Thunevin.