I love Château Latour. It has to be one of the most remarkable wines in the world. It is the gold standard to which other ambitious producers of [predominantly] Cabernet Sauvignon all aspire to emulate, if not in style, certainly in substance. That legendary California winemaker Paul Draper spoke frequently of Latour when working on Ridge’s own super Cab, Ridge Monte Bello in the ‘70s and ‘80s, as the Bordeaux he most admired and took inspiration from. The no expense spared approach, financed by billionaire entrepreneur François Pinault, is beyond the pockets of many producers, of course. The same affordability question is true of the grand vin itself. A single bottle of Latour, even in an average year, is still typically more expensive than a top-label washer dryer or fridge freezer. Remarkably, there are even more expensive Cabernets in the world than Latour, but rarely any better. I’ve pulled together notes taken over the last two years at the property – a baker’s dozen of wines from the estate, spanning a number of vintages between 2018-2006.
Posts Tagged ‘Petit Verdot’
Finally notes taken on wines tasted at the Bordeaux Grand Cru Classé tasting in London last year. While the majority of these were 2018s that I’d missed during primeurs week, it was also a good opportunity to look at other recent vintages. In Margaux, Château Rauzan Ségla had made a sublime wine in 2018, so too Château Branaire-Ducru and Château Léoville Poyferré in St Julien. In Pauillac, Château Pontet Canet was astonishing, paralleled in different ways by extraordinary wines at Château Montrose in St Estèphe and Château Smith Haut Lafitte in Pessac-Léognan.
Château Cos d’Estournel has been making wine of first growth quality for years, but the period of ownership under Michel Reybier has coincided with a dramatic shift in ambition and overall quality. And not just in the main wine. Pagodes de Cos, the second label, in recent years is now better than many vintages of the grand vin itself in the 1990s. Yet, while there has been a string of impressive wines here in the last few vintages – 2014, 2015 and 2016 are all exciting editions of Cos – 2018 is a real marvel. I reckon it is possibly the finest wine made in the last decade at the estate. And, in what is a truly remarkable vintage for St Estèphe, Cos might actually just pip the extraordinary wines also made in this year at Château Calon-Ségur and Château Montrose.
In one sense Thomas Duroux hasn’t much to show from the 2018 vintage. The effects of rot that tore through Château Palmer’s vineyards in early July led to two-thirds of the crop being entirely lost. The biodynamics practiced here left the vineyards even more exposed to the vagaries of a growing season that was biblically wet in its first half. Yet the remainder of the harvest, a meagre 11 hectolitres per hectare, produced an elixir. It is what Thomas describes analytically, but also qualitatively, as Palmer’s “most powerful wine ever.” If the entire growing season was a “a terrifying experience” for Duroux, Palmer has certainly ended up making one of its most remarkable wines ever.
I’m publishing these in-depth notes somewhat belatedly. I have already posted last April briefly about the quality of the dry whites and the structured reds made in 2017 at Château La Mission Haut-Brion and Château Haut-Brion. Today I’m publishing more detailed notes and thoughts on the wines. The top line? 2017 is a genuinely ‘epic’ year for the whites here. Even by their own sensational quality, La Mission Haut-Brion Blanc and Haut-Brion Blanc are super sublime.
Château Montrose has been on a roll for the past decade. Legendary wines have been made here in 2009, 2010 and 2014. 2016 continues this run of form at this leading St Estèphe property. The vineyard position here, adjacent to the Gironde, brings to mind Château Latour in Pauillac, and Château Léoville-Las-Cases and Château Ducru-Beaucaillou in St Julien, although Montrose’s aspect in St Estèphe is somewhat more elevated than these other great sites. 2016 Montrose shares characteristics with both the 2010 and 2014 here in my book. It is a wine laden with cassis and blackcurrant fruit and exhibits wonderful purity. La Dame de Montrose has lashings of plum and black cherry aromatics along with some graphite tones. Château Tronquoy-Lalande, junior to both of these wines, from an entirely different terroir, looks to be exceptional value in 2016. It has produced a wine loaded with fruit, bounce and life. Perhaps it’s the best yet from this property?