There are some excellent wines in St Emilion this year. While the 2017 vintage will always be remembered for the severe April frost, unlike 1991, that other frost affected year, there are a great many impressive wines in the appellation [and the same could never be said for ‘91]. Still the frost has created inconsistency, affecting the blends of some, reducing the volumes for many, and wiping out vineyards for others. Interestingly critic Antonio Gallioni has called 2017 a right bank year. Certainly many of the top wines here are really good, friendlier perhaps that the correct reds on the left bank, even though the left bankers technically profited more from the growing season. Yet as Cyrille Thienpont at Pavie Macquin pondered, ‘It is not really a case of left bank versus right this year, or Merlot versus Cabernet, more a question of which terroirs performed best.”
Posts Tagged ‘Croix Canon’
There is excitement about the quality of the 2017 vintage at Château Canon. They reckon the vintage is a combination of the 2015 and the 2016 and a notch up from 2014. They argue this is partly the good fortune of Canon’s great terroir atop the St Emilion plateau next to the town itself. The estate was not affected by the frost and in a precocious harvest on a precocious terroir, much of the Merlot on the St Emilion plateau was picked before the September rain. Certainly there is a perfumed and mineral note to Canon this year with the emphasis on the purity of the fruit and elegance. The recently acquired Château Berliquet also shows floral tones and refinement in the first vintage here under Nicolas Audebert.
Let’s not beat about the bush. St Emilion has had a glorious vintage in 2015. I think I’ve scored it even more highly than 2010 in many cases. It’s a different beast of course – in fact more of a beauty. There is a supple quality to the fruit, a seductive aspect. It makes so many of the wines delicious. If they don’t have the prodigious densities achieved in 2010, that’s not a bad thing. Many of these wines are caressing and voluptuous. There’s more apparent freshness too than in 2009. There are far fewer of the jammy over-ripe qualities that affected some wines here that year. I think I’m also detecting a perceptible shift in winemaking emphasis on the right bank too. This new paradigm hasn’t quite arrived everywhere, but I think we are starting to witness the positive results of changes in the approach and sophistication of vineyard management [and an increasing movement to organic methods], harvesting at better combined ripeness [not over-ripeness] and greater sensitivity in the cellar in terms of extraction. For me there is no doubt that these 2015 St Emilions are the most attractively styled primeur wines I’ve yet had from this varied and fascinating appellation.
Château Canon [and Château Rauzan-Ségla] appear to have found a great follow up act to John Kolasa in new general manager Nicolas Audebert. His arrival at both properties for the 2015 vintage has certainly been well timed. He’s managed to arrive in an excellent vintage, to work some of the finest terroir in the world, in a vintage that has specifically favoured both St Emilion and Margaux. Lucky man. The Gods are certainly smiling on him and the properties [and clearly the Wertheimers too, who own them and fashion house Chanel]. Château Canon 2015 is a beauty. It is a wine with finesse and power but also with the most gorgeous, bright fruit tones, tones that define this vintage. Croix Canon, which comes from an 11ha parcel all of its own, is harmonious and extremely pretty at 2015.
Overall 2014 is an impressive vintage judging from what was in the glass in many of the St Emilion’s tasted during primeurs week last month. There is perhaps more weight and structure than 2012 [itself a very good vintage in St Emilion] and, overall, 2014 is probably the best since 2009 and 2010. It also has greater apparent acidity than in those two years. What’s exciting is the combination of the freshness, the aromatics and the depth in the best wines. There are also excellent wines at all levels, not just at the top echelons. That means there is value to be had in 2014, where the price is right. Overall it is undoubtedly an excellent year for Cabernet Franc here. The variety loved the Indian summer. Merlot is also impressive on the best terroirs. It’s a generalization, but the wines seemed less over-extracted than usual, with greater emphasis on proportionality and harmony. This may be the vintage speaking, but let’s hope it reflects more balanced, adaptive winemaking approaches. And even where properties have gone hell for leather, generally the ball stays in the air. The notes on the following 107 wines represents my most comprehensive primeurs tastings yet of the wines of St Emilion.
St Emilion Premier Grand Cru Classé Château Canon has magnificent walled terroir atop the famous limestone plateau to the south and south-west side of St Emilion. It has produced a very pure and harmonious 2014 with a floral, perfumed quality that is very attractive. Croix Canon is plummy and fresh with layered fruit and nice delicacy. John Kolasa’s long stint at the helm here, a period which has coincided with the renaissance of the property since it was bought by Maison Chanel, comes to an end with this vintage as Kolasa has announced his retirement. It marks the end of an era.