Top to bottom, St Emilion has had an excellent vintage in 2016. Qualitatively it is the equal of 2015, but differs stylistically. There is a lot of that bright, beautiful fruit that characterized ’15, but there is more grip, freshness and texture this year. It all makes for an appetising vintage for aficionados of St Emilion. Prices are up – quelle surprise! And if you are unfortunate enough to reside in the UK then the Brexit fiasco has made things pricier still. Still if you’ve the spare cash, this is a vintage to consider. There are a great many St Emilion Grand Cru which are really excellent and the quality of the Grand Cru Classé and the Premier Grand Cru Classé [though very pricey] are extremely impressive. Overall this is an exciting and homogenous vintage. There’s decent quantity available too.

There’s no more enjoyable tasting to be had in Bordeaux than in the cellars of Jean-Luc Thunevin. The wines are packed with joy and expression [almost to a fault] and with the mischievous Thunevin knocking about the cuves, there’s a certain electricity in the air. You are never quite sure what is going to happen next! His playfulness comes across in the wines. They are full of surprises and beautiful contradictions. Château Valandraud looks to be every bit as epic in 2016 as it was in 2015. It has volume and concentration. Virginie de Valandraud is vivid and vivacious. Interdit de Valandraud is muscular and solid. It is made from plots that formerly made their way into Valandraud grand vin before its elevation to premier grand cru status. For those without the financial wherewithal for Thunevin’s top grog, St Emilion Grand Crus Clos Badon-Thunevin and Château Bel Air Ouÿ look very good in 2016 and will be affordable.

Overall 2014 is an impressive vintage judging from what was in the glass in many of the St Emilion’s tasted during primeurs week last month. There is perhaps more weight and structure than 2012 [itself a very good vintage in St Emilion] and, overall, 2014 is probably the best since 2009 and 2010. It also has greater apparent acidity than in those two years. What’s exciting is the combination of the freshness, the aromatics and the depth in the best wines. There are also excellent wines at all levels, not just at the top echelons. That means there is value to be had in 2014, where the price is right. Overall it is undoubtedly an excellent year for Cabernet Franc here. The variety loved the Indian summer. Merlot is also impressive on the best terroirs. It’s a generalization, but the wines seemed less over-extracted than usual, with greater emphasis on proportionality and harmony. This may be the vintage speaking, but let’s hope it reflects more balanced, adaptive winemaking approaches. And even where properties have gone hell for leather, generally the ball stays in the air. The notes on the following 107 wines represents my most comprehensive primeurs tastings yet of the wines of St Emilion.

There is no more informal, carefree primeurs tasting to be had than the one on offer in the speakeasy St Emilion cellars of Jean-Luc Thunevin. ‘JLT’s own range of properties is laid out on a bench before you, followed by those he consults for and distributes [and there’s a multitude of these]. You’re given a set of large glasses, a table between some stainless steel tanks and it’s time to help yourself. If the approach is refreshing, the wines are even more so – glass after glass of provocative, exotic, remarkable Bordeaux passes nose and lips. It’s a purists nightmare but a hedonists dream. And sat at the top of the Thunevin tree is Château Valandraud itself. The wine is as much a statement about the man and his ambitions as it is an expression of terroir, [though that is perhaps true of all great wine] and, frankly, who cares when the stuff tastes so damn good. And Valandraud 2014 is damn good in my book.