Way back in early September the Association de Grands Crus Classés de Saint-Emilion put on a tasting high up above London at Landing Forty Two in the remarkable Leadenhall Building. The views were impressive. So were many of the wines. Ostensibly it was an opportunity to taste the joyful 2018 vintage, but each producer also offered an additional, older vintage. This was fascinating. For me it also confirmed the superlative quality of the 2016 vintage in St Emilion, but also the quality of some of the rather unsung 2017s. In fact, there were quite a few properties to my mind that performed better in ’17 than they did in ’18 – and that was no mean feat given the challenges of the frost that so badly affected the former vintage. Given that some 45 different chateau were represented at the tasting, I’m dividing my report into two parts. This one contains notes and thoughts on some twenty-four properties [and forty-seven wines], starting with Château Barde-Haut and ending with Château Franc-Mayne [essentially half of them alphabetically].

Final blog post for the moment on the reds of Bordeaux in 2020. I’ve grouped together notes taken on wines from the Médoc and Haut-Médoc in this post, as well as some specific communes like Margaux, Moulis, Listrac, St Julien, Pauillac and St Estèphe. All of these are based on samples sent by the Grand Cercle. I’ve yet to taste members of the Union des Grand Crus and there are a number of properties that I usually get to taste which I didn’t manage to organise this year. I hope to update these omissions soon. From what I have tasted the reds are fresh in the Médoc in 2020, although there is not the richness of 2019 or 2018 for me. In some there is a certain austerity and angularity. Wines tasted from the Haut-Médoc have good depth and colour, with freshness and zap, but again some can feel a little angular. A handful of wines tasted from St Estèphe look promising, with good colours and nice textures, and there were some nicely perfumed, fresh wines from Margaux. The few bottles I tasted from St Julien and Pauillac showed finesse, but were not quite up with the quality and concentration of the previous two vintages. Overall my tastings in these communes were not as comprehensive as those on the right bank this year. If you want detailed reports on the left bank wines I’d defer to others whose writing on Bordeaux I admire [Jane Anson, James Lawther, Chris Kissack, Neal Martin & Jeb Dunnuck all cover Bordeaux extremely well]. Nevertheless, I hope you find the notes on the following 24 wines useful.

In early October I had the opportunity to taste a set of wines spanning the last decade from the Médoc property Château Loudenne with General Manager Philippe de Poyferré. I’ve been particularly struck by the quality of the wines here in recent years at tastings in Bordeaux. This was a chance to look at the wines in detail, following significant investments in the estate over the last six years, after it came into new ownership in 2013. It’s a property I’m familiar with. A good friend of mine from university worked at Loudenne in the early 1990s. He shared bottles from the 1989 and 1990 vintages, which I remember showing plenty of extract and structure. More recently the Loudenne 2014 and 2015 vintages caught my eye during primeurs visits and this year again, with an exciting 2019.

Well there is no doubting the richness of Château Calon Ségur in 2019. They have produced another profound St Estèphe to rival 2018 here. For me that remarkable wine still pips this 2019, but only just. Château Calon Ségur is decadent, verging on the unctuous in 2019. It displays beautiful blackcurrant and violent scented fruit and there is a boatload of ripe extract and tannin here too. The 2018 felt a fraction more nimble from memory, but I’d really like to see these two vintages side by side when there bottled. Obviously 2019 is a terrific wine regardless of the comparison. Both Le Marquis de Calon Ségur and Château Capbern weigh in at a heady 15.1% alcohol. Le Marquis impressed much more. It has plenty of rich fruit and volume and feels decadent almost.